I am an idiot.
I read this whole story and never figured out on my own what it was really about.
(Spoilers ahead, which aren’t necessarily dramatic, but will rob the story of its full effect if you haven’t read it.)
“Here’s the Story,” by David Gilbert, is in this week’s New Yorker, its summer fiction issue. It’s a Brady Bunch prequel, but I never realized that until the author told me it was. I think this is partly stupidity and partly because I was so swept up in enjoying it at face value that seemingly obvious Brady-related hints seemed nothing more than colorful elements in the story.
It tells the story of Ted Martin and Emma Brady, the first spouses of Carol and Mike, respectively: How they met and ultimately how they died.
Brief synopsis: Ted and Emma meet by chance during one of the “love-ins” at Elysian Park in Los Angeles in 1967. Ted wanders over after attending a Dodger game; Emma takes her youngest son Bobby (!) to the park while dad and the two older boys are on a camping trip. Both feel trapped in life and in marriage. They recognize each other from being parents at the same school, and share a moment of mutual understanding and solace in the park. Nothing happens between them until a couple months later, when they’re unknowingly on the same flight the Monday before Thanksgiving. Neither had been able to keep the other out of his or her head since the park encounter, and they share an intimate conversation – even ponder running off together after landing in Cincinnati – on the plane before it hits some tree branches on descent and crashes.
Even without the Brady element, I was drawn to Ted and Emma’s plight. I’m always intrigued with stories about people who feel like their lives are stuck but who find brief solace in another person or experience. I found myself rooting for Ted and Emma, who seemed stuck with partners who didn’t truly appreciate them. I think that was also part of my shock when the ending was finally revealed – I’d just spent nine pages rooting against wonderful Mike and Carol Brady!
I also loved how the story moved and how specifically it described the true intention behind characters’ actions. One of my favorite lines described Ted imagining the disapproving comments his wife would offer about him walking through the love-in: “Much of the pleasure of being here was walking with the spectre of his wife, defining himself in opposition to her attitude.”
Not once until the final paragraph did the idea of this as a tale of the lost spouses cross my mind. I did actually think once about the show while reading the story, when I thought how Emma’s husband would have been another Mike Brady living in LA in the 1960s. I just never thought to assume they were the same Mike Brady. But there were so many other clues I should have noticed! Ted’s girls skipped going to the Dodgers game because they wanted to work on a Sunflower Girls project. Ted thinks about how his oldest loves Davy Jones. Tiger the dog is mentioned. Emma weasels out of the camping trip. For crying out loud, Bobby is actually a speaking character in the story and we learn Emma has another son named Pete!
(If it isn’t evident already, the Brady Bunch was a big part of my childhood TV routine. I watched plenty of shows made for my era, too, but I have enjoyed my fair share of TV Land and Nick at Nite Brady marathons.)
Aside from the way David Gilbert weaved subtle Brady Bunch clues into this otherwise unrelated story, I was also enamored with the idea of inventing a story for the lost spouses. It’s historical fiction, in a way. Questioning the facts we accept about something – albeit fictional – we thought we already knew. Or at least asking us to wonder why Mike and Carol’s first spouses were gone in the first place.
I love the idea that Ted and Emma’s “mutual demise,” as Gilbert put it in an interesting follow-up interview, is what brought Mike and Carol together, rather than two unrelated events that left them both without a spouse. But no one has to accept that or anything else in this story as fact. That’s what I appreciate about it. “Here’s the Story” hasn’t ruined the show’s premise for me. It’s just given me answers to questions I never thought to ask.